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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Jun 23, 2015 | Christie's | London | Impressionist and Modern Evening Sale | 44 | $****** - ****** | Femme couchée à la guitare |
sculpture
40 x 32.4 cm (15.75 x 12.76 in)
lead
signed and stamped with the foundry mark ‘J Lipchitz C. VALSUANI CIRE PERDUE’ (on the back of the base)
Gustave Van Geluwe, Brussels, by whom acquired before 1956, and thence by descent
Brussels, Palais des Beaux-Arts, L’art contemporain d’Anvers , June - September 1935. Antwerp, Musée Royal des Beaux-Arts, Cinquantenaire de l’Art Contemporain , 1955, no. 180. Verviers, Société Royale des Beaux-Arts , L’Exposition de la Collection G. Van Geluwe , March - September 1956, no. 62 (illustrated); this exhibition later travelled to Dusseldorf, Kunstverein; Otterlo, Kröller-Müller Museum; Oostende, Kursaal; and Antwerp, Koninklijk Museum voor Schone Kunsten. Charleroi, Palais des Beaux-Arts, Nouvelle selection de la collection Van Geluwe , January - February 1959
M. Raynal, Jacques Lipchitz , Paris, 1947 (basalt version illustrated). A.C. Ritchie, Sculpture of the Twentieth Century , New York, 1952, p. 229 (basalt version illustrated p. 140). A.M. Hammacher, Jacques Lipchitz: His Sculpture , New York, 1960, no. 44, p. 174 (basalt version illustrated). R. Goldwater, What is Modern Sculpture? , New York, 1969, pp. 20 &144 (limestone version illustrated p. 21). J. Lipchitz & H.H. Arnason, My Life in Sculpture , New York, 1972, p. 103 (basalt version illustrated fig. 83). A.M. Hammacher, Jacques Lipchitz: His Sculpture , New York, 1975, p. 173 (stone version illustrated pl. 44). A.E. Elsen, Unknown Beings and Other Realities , New York, 1979, p. 31 (bronze version illustrated). A.G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonné , vol. I, The Paris Years 1910-1940 , London, 1996, no. 215, p. 221 (bronze version illustrated p. 80)
